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	<title>the-ideo // wor.ks.1.ow // blog</title>
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	<link>http://the-ideo.org/ks/blog</link>
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		<title>Lomography CN 800 ASA</title>
		<link>http://the-ideo.org/ks/blog/?p=3588</link>
		<comments>http://the-ideo.org/ks/blog/?p=3588#comments</comments>
		<pubDate>Fri, 18 May 2012 06:18:02 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[COLOR PRINTS]]></category>
		<category><![CDATA[Film Packaging]]></category>
		<category><![CDATA[ISO800]]></category>
		<category><![CDATA[LOMOGRAPHY]]></category>
		<category><![CDATA[NEGATIVE]]></category>

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		<description><![CDATA[Lomography CN 800 ASA ISO800 / COLOR NEGATIVE FILM / 35MM FILM / 36 EXP. / made in USA / www.lomography.com]]></description>
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<p style="text-align: center;"><a title="Lomography CN 800 ASA by .ks.1., on Flickr" href="http://www.flickr.com/photos/kahsone/7219914884/" target="_blank"><img class="aligncenter" src="http://farm8.staticflickr.com/7230/7219914884_71bc575f75_z.jpg" alt="Lomography CN 800 ASA" width="600" height="307" /></a></p>
<p><strong>Lomography CN 800 ASA</strong><br />
ISO800 / COLOR NEGATIVE FILM / 35MM FILM / 36 EXP. / made in USA / <a href="http://www.lomography.com" target="_blank">www.lomography.com</a></p>
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		<item>
		<title>《刀見笑》</title>
		<link>http://the-ideo.org/ks/blog/?p=3585</link>
		<comments>http://the-ideo.org/ks/blog/?p=3585#comments</comments>
		<pubDate>Thu, 17 May 2012 08:07:39 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[FILM]]></category>

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		<description><![CDATA[&#8230;雖然導演來自蒙古，但不難嗅出他喝奶水的味道。 我不想說CULT，不過他的確用新鮮的廣告血液包裝過「癡嗔貪」。]]></description>
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<p><img class="size-full wp-image-3586 aligncenter" title="The-Butcher,-the-Chef-and-the-Swordsman" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/The-Butcher-the-Chef-and-the-Swordsman.jpg" alt="" width="600" height="400" /><br />
&#8230;雖然導演來自蒙古，但不難嗅出他喝奶水的味道。<br />
我不想說CULT，不過他的確用新鮮的廣告血液包裝過「癡嗔貪」。</p>
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		<title>KristopheH by Kristopher Ho</title>
		<link>http://the-ideo.org/ks/blog/?p=3565</link>
		<comments>http://the-ideo.org/ks/blog/?p=3565#comments</comments>
		<pubDate>Wed, 16 May 2012 08:08:48 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[EXHIBITION]]></category>
		<category><![CDATA[Friends]]></category>

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		<description><![CDATA[沒有刻意安排的，但當這星期要發佈The Latest Status of KristopherH的同時，亦收到他的邀請，是他第二次的個展，適逢這個湊巧便溫故一下他的舊作，再去看他的新作。 KRISTOPHERH 2nd Solo Exhibition in Hong Kong 2012 presented by ABOVE SECOND GALLERY Opening Party: 24th May 2012, 6-10pm Opening Hour: Mongday &#8211; Saturday 1-7pm Duration: 24th May &#8211; 18th June 2012 Venue: 31 Eastern Street, Sai Ying Pun, Hong Kong Above Second presents a solo exhibition: “KRISTOPHERH” Featuring original [...]]]></description>
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<p><img class="size-full wp-image-3583 aligncenter" title="KrisH_Above-Second_r2" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/KrisH_Above-Second_r2.jpg" alt="" width="600" height="849" /><br />
沒有刻意安排的，但當這星期要發佈<a href="http://the-ideo.org/ks/blog/?p=3569">The Latest Status of KristopherH</a>的同時，亦收到他的邀請，是他第二次的個展，適逢這個湊巧便溫故一下他的舊作，再去看他的新作。</p>
<hr />
<p><strong>KRISTOPHERH 2nd Solo Exhibition in Hong Kong 2012 presented by ABOVE SECOND GALLERY</strong></p>
<p>Opening Party: 24th May 2012, 6-10pm<br />
Opening Hour: Mongday &#8211; Saturday 1-7pm<br />
Duration: 24th May &#8211; 18th June 2012<br />
Venue: 31 Eastern Street, Sai Ying Pun, Hong Kong</p>
<p><strong>Above Second</strong> presents a solo exhibition:<br />
“KRISTOPHERH” Featuring original whimsical drawings of Hong Kong born artist Kristopher Ho.</p>
<p>In this selection of drawings, Ho investigates how love and community  can be conceived as home through whimsical illustrations of houses,  cities, and animals. What is a home and how is it a reflection of its  owner? Inviting the viewer into his own conceptions of the home, Ho’s  drawings encourage reinterpretation of the very definition of the term.</p>
<p>Created with technical prowess and sentimentality, Ho’s playful  illustrations are displayed as a personal diary—a glimpse into his head  and an expression of his heart. For Ho, home can be anything from a  child’s dream town to a gesture of love. Two robots holding hands above a  crumbling world, and the melancholy glance of a lonely king, suggest  that relationships are important to the notion of the home. Those  relationships can bring a sense of comfort and stability where other  structures fail. Ho illustrates his subject with delicate intricacy,  inviting the viewer to linger in the playground of his imagination.  Viewing his illustrations is like playing hide-and-seek with delightful  surprises around every bend.  Come get lost in Ho’s imagination and find  your own home in his world.</p>
<p><span id="more-3565"></span><br />
About Kristopher Ho <a rel="nofollow nofollow" href="http://www.kristopherh.com" target="_blank">www.kristopherh.com</a></p>
<p>Kristopher Ho is a freelance illustrator based in London. Born in Hong  Kong in 1986, Ho moved to London at the age of 12. He graduated from  Central Saint Martins College of Art &amp; Design in 2009 with a BA in  Graphic Design specializing in illustration. Since 2008 Ho’s work has  been exhibited in a number of shows in London including a solo  exhibition at MakinJanMa Studio/shop in June 2011. Inspired by movies,  Japanese animation, and life, Ho creates in order to share his personal  wonderland with the world.</p>
<p>related post: <a title="Permanent Link to HOME By KristopherH" rel="bookmark" href="http://the-ideo.org/ks/blog/?p=3369">HOME By KristopherH</a></p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Latest Status of KristopherH</title>
		<link>http://the-ideo.org/ks/blog/?p=3569</link>
		<comments>http://the-ideo.org/ks/blog/?p=3569#comments</comments>
		<pubDate>Wed, 16 May 2012 08:01:43 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[The Latest Status]]></category>

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		<description><![CDATA[(click here to see the original size image) The Latest Status of KristopherH 在他的首次香港個展拍下的「近況」，不過筆記本中的東門並不比起他背後的作品遜色，雖然一併之下有點風馬牛不相及，用幼細的藍色把他心中的愛勾劃為城市，相反在簿裡頭都是粗獷的毛筆筆跡，有漫畫有詩詞。在他的展覽中展示這個可是讓到場瀏覽的觀眾有個喘息的空間。 相反我也覺得筆記本亦是每個人的私人空間，在外面作展示用途的作品都要小心翼翼，而灌入私空間卻是無添加無限制，著墨可以是沒有邊界。 All The Latest Status]]></description>
			<content:encoded><![CDATA[<div class="tweetmeme_button" style="float: right;margin-right:0px;">
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<p style="text-align: center;"><a title="The Latest Status of KristopherH by .ks.1., on Flickr" href="http://www.flickr.com/photos/kahsone/7208209860/" target="_blank"><img class="aligncenter" src="http://farm6.staticflickr.com/5448/7208209860_775ddc46db_z.jpg" alt="The Latest Status of KristopherH" width="600" height="303" /></a></p>
<h6><em>(click <a href="http://farm6.staticflickr.com/5448/7208209860_8d37455a82_o.jpg" target="_blank">here</a> to see the original size image)</em></h6>
<p><span style="text-decoration: underline;"><em>The Latest Status of KristopherH</em></span></p>
<p>在他的首次香港個展拍下的「近況」，不過筆記本中的東門並不比起他背後的作品遜色，雖然一併之下有點風馬牛不相及，用幼細的藍色把他心中的愛勾劃為城市，相反在簿裡頭都是粗獷的毛筆筆跡，有漫畫有詩詞。在他的展覽中展示這個可是讓到場瀏覽的觀眾有個喘息的空間。<br />
相反我也覺得筆記本亦是每個人的私人空間，在外面作展示用途的作品都要小心翼翼，而灌入私空間卻是無添加無限制，著墨可以是沒有邊界。<em></em></p>
<h5><a href="http://the-ideo.org/ks/blog/?cat=87"><em>All The Latest Status</em></a></h5>
]]></content:encoded>
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		<item>
		<title>《Shame》</title>
		<link>http://the-ideo.org/ks/blog/?p=3571</link>
		<comments>http://the-ideo.org/ks/blog/?p=3571#comments</comments>
		<pubDate>Wed, 16 May 2012 07:41:54 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[FILM]]></category>

		<guid isPermaLink="false">http://the-ideo.org/ks/blog/?p=3571</guid>
		<description><![CDATA[&#8230;崑南在梁品亮的《細說》中的序第一句這樣引用了，”Sex is God&#8217;s joke on human beings. &#8211; Bette Davis&#8221;，我在這裡再引用一次。]]></description>
			<content:encoded><![CDATA[<div class="tweetmeme_button" style="float: right;margin-right:0px;">
			<a href="http://api.tweetmeme.com/share?url=http%3A%2F%2Fthe-ideo.org%2Fks%2Fblog%2F%3Fp%3D3571"><br />
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<p><img class="size-full wp-image-3572 aligncenter" title="shame_movie" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/shame_movie.jpg" alt="" width="600" height="400" /></p>
<p>&#8230;崑南在梁品亮的《細說》中的序第一句這樣引用了，”Sex is God&#8217;s joke on human beings. &#8211; Bette Davis&#8221;，我在這裡再引用一次。</p>
]]></content:encoded>
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		<title>&#8220;迷糊。情欲。對象&#8221; 周耀輝與80/90後 跨時空媒體性別展</title>
		<link>http://the-ideo.org/ks/blog/?p=3558</link>
		<comments>http://the-ideo.org/ks/blog/?p=3558#comments</comments>
		<pubDate>Tue, 15 May 2012 04:00:43 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[EXHIBITION]]></category>

		<guid isPermaLink="false">http://the-ideo.org/ks/blog/?p=3558</guid>
		<description><![CDATA[很喜歡周耀輝的文字，不知道他在這「跨時空媒體性別展」個有甚麼樣的作品。 HAJI Gallery presents &#8220;迷糊。情欲。對象&#8221; 周耀輝與80/90後 跨時空媒體性別展 &#8220;The Obscure Desire of Objects&#8221; 周耀輝與他幾個80/90後學生, 以自己的歌詞為對象,合作,探討, 並且試圖呈現文字與城市,性別與情欲, 界限與滲透之間的種種迷糊。 &#8220;The Obscure Desire of Objects&#8221; An exhibition by Chow Yiu Fai and his students based on recreations of his lyrical works. Inspired by a selection of his lyrical works, Chow Yiu Fai collaborates with his post-80s/90s students to explore [...]]]></description>
			<content:encoded><![CDATA[<div class="tweetmeme_button" style="float: right;margin-right:0px;">
			<a href="http://api.tweetmeme.com/share?url=http%3A%2F%2Fthe-ideo.org%2Fks%2Fblog%2F%3Fp%3D3558"><br />
				<img src="http://api.tweetmeme.com/imagebutton.gif?url=http%3A%2F%2Fthe-ideo.org%2Fks%2Fblog%2F%3Fp%3D3558&amp;source=kahsone&amp;style=compact&amp;b=2" height="61" width="50" /><br />
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<p><img class="size-full wp-image-3559 aligncenter" title="ChowYiuFai-haji" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/ChowYiuFai-haji.jpg" alt="" width="600" height="882" /><br />
很喜歡周耀輝的文字，不知道他在這「跨時空媒體性別展」個有甚麼樣的作品。</p>
<hr />
<p><strong>HAJI Gallery presents &#8220;迷糊。情欲。對象&#8221; 周耀輝與80/90後 跨時空媒體性別展 &#8220;The Obscure Desire of Objects&#8221;</strong></p>
<p>周耀輝與他幾個80/90後學生,<br />
以自己的歌詞為對象,合作,探討,<br />
並且試圖呈現文字與城市,性別與情欲,<br />
界限與滲透之間的種種迷糊。</p>
<p>&#8220;The Obscure Desire of Objects&#8221;<br />
An exhibition by Chow Yiu Fai and his students based on recreations of  his lyrical works. Inspired by a selection of his lyrical works, Chow  Yiu Fai collaborates with his post-80s/90s students to explore issues of  words and the city, body and sexuality, boundaries and porosities,  ultimately to pay tribute to the obscure desire, of objects.</p>
<p><span id="more-3558"></span></p>
<p>展覽是從三個希望開始的。<br />
我希望看到平常在城裡看不到的。我希望創作創作創作。</p>
<div id=":102">我希望我們活在更美好的世界裡。<br />
因此我找來王樂儀，林淼，Beryl，Jeska，錀等幾個80/90後和我一起探索，也找來跨性別維權人士梁詠恩和跨性別性工作者琦琦參與部分作品，以我的歌詞為對象，試圖呈現文字與城市，性別與情欲，界限與滲透之間的種種迷糊。&nbsp;</p>
<p>周耀輝</p>
<p>[展品收益捐贈跨性別資源中心，及性工作者權益組織紫藤]</p>
<p>This exhibition started with three wishes.<br />
I wish to see something usually not visible in our city. I wish to  create and re-create. I wish we were living in a better world.<br />
I invited Yvette, Sui, Beryl, Jeska and Lun, all born in the 80s/90s, to  join me. I also invited transgender activist Joanne Leung and  transgender sex worker Kei Kei to participate in some of the works.  Inspired by a selection of my lyrical works, the exhibition explores  issues of words and the city, body and sexuality, boundaries and  porosities, ultimately to pay tribute to the obscure desire, of objects.</p>
<p>Chow Yiu Fai</p>
<p>[Proceeds from the exhibition will be donated to the Transgender Resources Centre and sex worker concern group Ziteng.]</p>
</div>
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		<item>
		<title>《Drive》</title>
		<link>http://the-ideo.org/ks/blog/?p=3552</link>
		<comments>http://the-ideo.org/ks/blog/?p=3552#comments</comments>
		<pubDate>Mon, 14 May 2012 05:19:34 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[FILM]]></category>

		<guid isPermaLink="false">http://the-ideo.org/ks/blog/?p=3552</guid>
		<description><![CDATA[&#8230;孤單的車手，變成公路及情路上的殺手。這種浪漫錯摸故事，現在又要用甚麼面具去包裝。 剛滿十八歲面入場的觀眾﹣ 女觀眾，看到Ryan Gosling就夠了。 男觀眾，飛車不夠，暴力血腥還可以，和Carey Mulligan沒有床戲不可以。]]></description>
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			<a href="http://api.tweetmeme.com/share?url=http%3A%2F%2Fthe-ideo.org%2Fks%2Fblog%2F%3Fp%3D3552"><br />
				<img src="http://api.tweetmeme.com/imagebutton.gif?url=http%3A%2F%2Fthe-ideo.org%2Fks%2Fblog%2F%3Fp%3D3552&amp;source=kahsone&amp;style=compact&amp;b=2" height="61" width="50" /><br />
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<p style="text-align: left;"><img class="size-full wp-image-3553 aligncenter" title="drive" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/drive.jpg" alt="" width="600" height="400" /><br />
&#8230;孤單的車手，變成公路及情路上的殺手。這種浪漫錯摸故事，現在又要用甚麼面具去包裝。</p>
<p style="text-align: left;">剛滿十八歲面入場的觀眾﹣<br />
女觀眾，看到Ryan Gosling就夠了。<br />
男觀眾，飛車不夠，暴力血腥還可以，和Carey Mulligan沒有床戲不可以。</p>
]]></content:encoded>
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		<item>
		<title>Eric So &#8220;Confusion&#8221; Art Exhibition</title>
		<link>http://the-ideo.org/ks/blog/?p=3546</link>
		<comments>http://the-ideo.org/ks/blog/?p=3546#comments</comments>
		<pubDate>Mon, 14 May 2012 03:59:19 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[EXHIBITION]]></category>
		<category><![CDATA[Friends]]></category>

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		<description><![CDATA[上次「拜訪」Eric So工作室的時候，除了問及有關他的&#8221;Latest Status&#8220;之外，當時他還透露了將會在自己的工作室舉行展覽，現在終於實行了！如果只在Edison Chen&#8221;CONFUSION&#8221;的唱片畫冊裡看過那些作品，一定要在5月17-23日期間再來到現場看過真跡。 Eric So &#8220;Confusion&#8221; Art Exhibition Opening Cocktail Date: 16th May 2012(Wed) Time: 6pm &#8211; 8pm Cocktail reception. RSVP only. Please respond by 15th MAy 2012 to Gavin at rsvp@papamamason.com or +852-2343-5343 Exhibition Date: 17th &#8211; 23rd May 2012 Time: 12pm &#8211; 9pm(Mon-Fri) / 1pm &#8211; 9pm(Sat-Sun) Venue: Rm 6A Hang Seng [...]]]></description>
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<p><img class="size-full wp-image-3547 aligncenter" title="EricSo_Confusion-exh-poster" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/EricSo_Confusion-exh-poster.jpg" alt="" width="600" height="863" /></p>
<p>上次「拜訪」Eric So工作室的時候，除了問及有關他的&#8221;<a href="http://the-ideo.org/ks/blog/?p=3490">Latest Status</a>&#8220;之外，當時他還透露了將會在自己的工作室舉行展覽，現在終於實行了！如果只在Edison Chen&#8221;CONFUSION&#8221;的唱片畫冊裡看過那些作品，一定要在5月17-23日期間再來到現場看過真跡。</p>
<hr />
<p><strong>Eric So &#8220;Confusion&#8221; Art Exhibition</strong></p>
<p><em>Opening Cocktail</em><br />
Date: 16th May 2012(Wed)<br />
Time: 6pm &#8211; 8pm Cocktail reception.<br />
RSVP only. Please respond by 15th MAy 2012 to Gavin at rsvp@papamamason.com or +852-2343-5343</p>
<p><em>Exhibition</em><br />
Date: 17th &#8211; 23rd May 2012<br />
Time: 12pm &#8211; 9pm(Mon-Fri) / 1pm &#8211; 9pm(Sat-Sun)</p>
<p>Venue: Rm 6A Hang Seng Industrial Bldg. 185 &#8211; 187 Wai Yip Street, Kwun Tong Kowloon, Hong Kong</p>
]]></content:encoded>
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		<item>
		<title>CHANNEL 67</title>
		<link>http://the-ideo.org/ks/blog/?p=3535</link>
		<comments>http://the-ideo.org/ks/blog/?p=3535#comments</comments>
		<pubDate>Sat, 12 May 2012 04:56:32 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[PHOTOGRAPHY]]></category>
		<category><![CDATA[SOME OTHERS]]></category>

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		<description><![CDATA[CHANNEL 67是一個用舊相機引發新思維的計劃，這位日本攝影師清島新利用他的PENTAX 67重新演繹了一種「相機生活」，每個人在照片中都變成了相機，相機也就是每位的眼睛，我們會怎樣看它，它可以怎樣拍下我們。在網絡上看到，日本人會稱他為「週末寫真家」，在週末怎可產生這個閒情逸致？ 除了清島新，還有濱田英明和長能豊一一同組成「青春・突撃・シャッターズ！」，每人擔當一個角色，日本人一貫的熱血口號！ MONSTER 67相集。]]></description>
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<p><img class="size-full wp-image-3536 aligncenter" title="pentax67_1" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/pentax67_1.jpg" alt="" width="600" height="489" /></p>
<p><img class="size-full wp-image-3537 aligncenter" title="pentax67_2" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/pentax67_2.jpg" alt="" width="600" height="489" /></p>
<p><a href="http://channel-67.tv/" target="_blank">CHANNEL 67</a>是一個用舊相機引發新思維的計劃，這位日本攝影師<a href="http://kiyoshimachine.blog118.fc2.com/" target="_blank">清島新</a>利用他的PENTAX 67重新演繹了一種「相機生活」，每個人在照片中都變成了相機，相機也就是每位的眼睛，我們會怎樣看它，它可以怎樣拍下我們。在網絡上看到，日本人會稱他為「週末寫真家」，在週末怎可產生這個閒情逸致？<br />
除了清島新，還有<a href="http://www.facebook.com/HideakiHamadaJP" target="_blank">濱田英明</a>和<a href="http://www.facebook.com/toyo.nagano" target="_blank">長能豊一</a>一同組成「青春・突撃・シャッターズ！」，每人擔當一個角色，日本人一貫的熱血口號！</p>
<p><a href="http://www.flickr.com/photos/kiyoshimachine/sets/72157628289827089/" target="_blank">MONSTER 67</a>相集。</p>
<p><span id="more-3535"></span></p>
<p><img class="size-full wp-image-3538 aligncenter" title="pentax67_3" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/pentax67_3.jpg" alt="" width="600" height="471" /></p>
<p><img class="size-full wp-image-3539 aligncenter" title="pentax67_4" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/pentax67_4.jpg" alt="" width="600" height="489" /></p>
<p><img class="size-full wp-image-3540 aligncenter" title="pentax67_5" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/pentax67_5.jpg" alt="" width="600" height="489" /></p>
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		<item>
		<title>《The Cabin in the Woods》</title>
		<link>http://the-ideo.org/ks/blog/?p=3532</link>
		<comments>http://the-ideo.org/ks/blog/?p=3532#comments</comments>
		<pubDate>Fri, 11 May 2012 04:23:57 +0000</pubDate>
		<dc:creator>.ks.1.</dc:creator>
				<category><![CDATA[FILM]]></category>

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		<description><![CDATA[&#8230;確實要抱著海量汪函的態度去欣賞，尤其是死硬派的話更甚，不言壞了玩味也不解人家心意。 亦不是單單剪碎收在櫃底多年的歷史書，然後東拼西湊跟人家炫示寫成了的新小說。]]></description>
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<p><img class="size-full wp-image-3533 aligncenter" title="the-cabin-in-the-woods" src="http://the-ideo.org/ks/blog/wp-content/uploads/2012/05/the-cabin-in-the-woods.jpg" alt="" width="600" height="400" /></p>
<p>&#8230;確實要抱著海量汪函的態度去欣賞，尤其是死硬派的話更甚，不言壞了玩味也不解人家心意。<br />
亦不是單單剪碎收在櫃底多年的歷史書，然後東拼西湊跟人家炫示寫成了的新小說。</p>
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