統一答案。
[圖文不符]聽到好多次被不太相熟的朋友問到:「以為你係全職畫畫。」我的答法統一為:「我都想呀!」
[圖文不符]聽到好多次被不太相熟的朋友問到:「以為你係全職畫畫。」我的答法統一為:「我都想呀!」
A photo posted by .ks.1. (@kahsone) on Mar 16, 2016 at 9:27pm PDT
default pose by kok.evelyn
A photo posted by .ks.1. (@kahsone) on Mar 15, 2016 at 9:58pm PDT
…這是另一個領域的「Comfort zone」,但願我未曾收到那電話短訊也能鼓起勇氣。而一般人也會認為收到短訊前的叫自私,收到短訊後才是勇氣;現在不是被討厭的勇氣就是被討厭的舒適。 這兒的「Comfort zone」是由千千萬萬的法則組成,我一直在遠遠看著法則,直至我走近去看看法則,原來組成法則的是一圈圈的橡皮圈。
Acrylic on canvas 100 x 80cm ksone©2012 . RESTRICTIVE MOTIVATION exhibition(2013)
A photo posted by .ks.1. (@kahsone) on Mar 14, 2016 at 9:30pm PDT
default pose by tequilashih
A photo posted by .ks.1. (@kahsone) on Mar 13, 2016 at 9:24pm PDT
A photo posted by .ks.1. (@kahsone) on Mar 12, 2016 at 8:45pm PST
A photo posted by .ks.1. (@kahsone) on Mar 11, 2016 at 8:30pm PST
default pose by hayleewong
…顯然這部電影的關鍵不在於甚麼真人真事,但相信大部分觀眾都生活在如斯的真人真事當中,包括我自己。活於宇宙的所有當中但只看得見眼底的房間,所謂「這是我的世界」實情只能死梆梆的建構於那種「Comfort zone」之上,最可憐的是終於等到勇氣要滿溢了,向上一躍,低頭發現自己在「Comfort zone」外喘不過氣,就由軀體自由墮落到原點。 跌落原點的那時很不期然地想到《La Leggenda del Pianista sull’Oceano》中的一句對白“Land? Land is a ship too big for me.”,有何不可?
A photo posted by .ks.1. (@kahsone) on Mar 10, 2016 at 8:30pm PST
在不是絕對的深藍當中看另一個被紅色激光指出但已經消失的銀河,綿花飄浮於峰巒之間,在草上長出雲朵,烈日中滲著冰風看黑色的日出。 – OLYMPUS µ[mju:]-II ZOOM 115 – AgfaPhoto Vista 200 – ISO 200 prev. post : OLYMPUS µ[mju:]-II ZOOM 115… more
A photo posted by .ks.1. (@kahsone) on Mar 9, 2016 at 8:34pm PST
default pose by lifansze
…看風景畫可以沒有人,看人像畫背後必須有風景,一旦當人走進了風景,也成為了風景。
A photo posted by .ks.1. (@kahsone) on Mar 8, 2016 at 8:38pm PST
Acrylic on canvas 100 x 80cm ksone©2012 . RESTRICTIVE MOTIVATION exhibition(2013)
A photo posted by .ks.1. (@kahsone) on Mar 7, 2016 at 8:20pm PST
default pose by __wattt
A photo posted by .ks.1. (@kahsone) on Mar 6, 2016 at 9:13pm PST
A photo posted by .ks.1. (@kahsone) on Mar 6, 2016 at 6:45am PST 昨晚碰到朋友跟他們的女兒陳曦,本人立即邀畫,小朋友的畫總是耐看。
A photo posted by .ks.1. (@kahsone) on Mar 5, 2016 at 8:38pm PST
A photo posted by .ks.1. (@kahsone) on Mar 4, 2016 at 8:40pm PST
default pose by xinasui
A photo posted by .ks.1. (@kahsone) on Mar 3, 2016 at 8:12pm PST
還有一些海浪(?)。
A photo posted by .ks.1. (@kahsone) on Mar 2, 2016 at 8:27pm PST
default pose by ceciliachoii
…他問:你可知罪;我說:司空見慣。 出生在馬戲班的動物可能從來不會懷疑自己怎麼會生活在帳幕裡,只是買票來看馬戲的觀眾才懂得如何嘻笑怒罵指指點點,就像我現在這麼隔岸觀火地看還會覺得這電影帶來的痛快感是有點,但總是搔不到癢處。 豈料身體觀眾的你在正要離開帳幕之時想伸一伸懶腰,就有人從你身後架起鐵籠讓你在裡面演另一台馬騮戲。
A photo posted by .ks.1. (@kahsone) on Mar 1, 2016 at 8:26pm PST
我一直很喜歡些有意無意的〝QUOTE/引用”,甚至有些還收集在網絡上的平台。 前幾天早到這張〝EXPLANATION KILLS ART./解釋殺死藝術。”時心裡又再糾結起來,因去年將近年尾的時候我把《A COMPLETE SHAMBLES》所有作品連同自身的「再體驗」、「再感受」、「再思索」,等等「再一次」上傳到互聯網。我知道那感覺大抵是像我久久站在山洞口而沒有聽到風聲,所以我對著無盡的黑暗吼叫幾句。
A photo posted by .ks.1. (@kahsone) on Feb 29, 2016 at 7:41pm PST
default pose by tifflilac
sketch on takkyūbin express envelope.
A photo posted by .ks.1. (@kahsone) on Feb 28, 2016 at 8:36pm PST
A photo posted by .ks.1. (@kahsone) on Feb 27, 2016 at 8:43pm PST
A photo posted by .ks.1. (@kahsone) on Feb 26, 2016 at 8:43pm PST
default pose by chizzzkt
Acrylic on canvas 25.5 x 20.5cm ksone©2012 . RESTRICTIVE MOTIVATION exhibition(2013)
A photo posted by .ks.1. (@kahsone) on Feb 25, 2016 at 8:44pm PST
準備將她安排到之前造的藍色木框中。
A photo posted by .ks.1. (@kahsone) on Feb 24, 2016 at 8:29pm PST
A photo posted by .ks.1. (@kahsone) on Feb 23, 2016 at 9:00pm PST
…當你笑了,但在戲院中的其他觀眾沒有一起陪笑,這個令我最失望。